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Titlebook: London Fiction at the Millennium; Beyond Postmodernism Claire Allen Book 2020 The Editor(s) (if applicable) and The Author(s), under exclus

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Outside of the Outside: Cultural Negativities and the Centre,r not only are other facets of marginalisation explored, but so too is how this process of repositioning is not always complete and/or a positive one. As such the chapter focuses on Martin Amis’s . (2003), Will Self’s . (2006) and . (2012), Ali Smith’s . (2005) and . (2011) and Zadie Smith’s . (2012).
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ists, such as Martin Amis, Will Self and Hanif Kureishi.LookThis book analyses London fiction at the millennium, reading it in relation to an exploration of a theoretical positioning beyond the postmodern. It explores how a selection of novels can be considered as “second-wave” or “post-postmodern” 
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Mapping Millennial London Fiction,voices via the adaption and appropriation of mainstream forms. It explicates why a study of London fiction at the millennium is critically and theoretically rewarding, as well as demonstrating its place within the wider field of contemporary British fiction.
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Restabilising Storytelling in the Female Historical London Novel at the Millennium,r, knowledge and discourse has a particular relevance to this discussion of the repositioning of the marginal. It is argued that the use of traditional narrative forms and styles seeks to relocate these marginalised or underrepresented perspectives within currently dominant forms by appropriating and adapting traditional forms.
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Masculinities: Beyond the Postcolonial and the Postmodern in the London Novel,ates these works in relation to gender and postmodern frameworks. Though the chapter charts how both postmodern and postcolonial perspectives inform readings of these texts, it notes how it is also possible to begin to approach them in a manner that moves beyond these fields of critical investigation, offering alternative perspectives.
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