Titlebook: Locating Classical Receptions on Screen; Masks, Echoes, Shado Ricardo Apostol,Anastasia Bakogianni Book 2018 The Editor(s) (if applicable)

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978-3-030-07196-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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,Introduction: Face to Face—Locating Classical Receptions on Screen, claim to an identifiable ancient source text but whose reception is sufficiently fuzzy, idiosyncratic, or impure to place the relationship between the two in question. Part II, ‘Beyond Influence’, takes up works that claim descent from diffuse notions of the ancient world, rather than specific text

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Sacrificial Shadows: Tragic Greek Heroines Reinvented for Television in , and In this chapter we argue that the characters Buffy Summers in . (1997–2003) and Shireen Baratheon in . are marked as ‘classical’ because they echo earlier sacrifices made by female characters in Greek tragedy and myth, specifically Iphigenia and Alcestis in Euripides’ plays. We examine Buffy and Al

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Statues, Synths, and Simulacra: The Ovidian Contours of Screen Pygmalionsd everlasting life in stories about the challenge of shaping unpromising raw material into a culturally determined notion of female beauty. In the new millennium television and cinema continue to resonate with Ovidian themes and tropes. James discusses the ethics and aesthetics of designing artifici

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From , to ,: Horace and Aronofsky on Poetic Perfection and Deathearch for perfection, grisly physical transformation, the artist’s swan song, death—yet they lack a history of direct influence. This chapter attempts to bridge that gap by arguing for classical reception as a branch of reception studies, and thus shifting the focus from author to audience. Reconcep

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Anastasia Bakogianni,Ricardo Apostolanisation sowie die Beziehung zwischen ihnen mit Hilfe von Kennzahlen einer quantitativen Erfassung zugänglich zu machen. Mit Forschungen auf diesem Gebiet wird einer Forderung Rechnung getragen, die allenthalben in der neueren Organisationsliteratur aufgestellt wird: „Die Organisationslehre hat (da