| 书目名称 | Live and Recorded | | 副标题 | Music Experience in | | 编辑 | Yngvar Kjus | | 视频video | | | 概述 | Based on interviews with artists, intermediaries or industry professionals, and audience members.Includes quantitative data on the use of online music services for live concert events.Presents a wide | | 丛书名称 | Pop Music, Culture and Identity | | 图书封面 |  | | 描述 | This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.. | | 出版日期 | Book 2018 | | 关键词 | Norway; Digital age; digital technology; live; recorded; music; popular music | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-70368-8 | | isbn_softcover | 978-3-319-88927-6 | | isbn_ebook | 978-3-319-70368-8Series ISSN 2634-6613 Series E-ISSN 2634-6621 | | issn_series | 2634-6613 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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发表于 2025-3-21 20:05:04
