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Titlebook: Literature, Politics and Law in Renaissance England; Erica Sheen (Lecturer in English Literature, Film Book 2005 Palgrave Macmillan, a di

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,‘Unmanly Indignities’: Adultery, Evidence and Judgement in Heywood’s ,,Edmunds, a Cambridge University employee, was brought to the Vice Chancellor’s court on a charge of adultery with William Covile of Queens’ College. Over the next month, neighbours, colleagues and household servants deposed; after a brief period of protesting innocence, Bridget confessed and turned
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Renaissance Tool Abuse and the Legal History of the Sudden, the recent collection . as both a dialectical response to several decades’ preoccupation with subjects and as an outgrowth of a concern with material culture. The editors also attempt to offer an alternative to traditional histories of the relation between subject and object,. and yet despite a sea
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,Taking Liberties: George Wither’s ,, Libel and the Law,4 over his satire . (1613), and when .’. itself fell victim to ‘these guilty Times’, he once again found himself in prison. In fact, throughout his lengthy and prolific literary career, which began in 1612 and ended with his death in 1667, Wither was arrested six times and imprisoned on at least fou
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Freedom of Speech, Libel and the Law in Early Stuart England,fiscal misdemeanours, and by the end of March the list of offenders included Francis Bacon, the Lord Chancellor himself. Around the country people wanted to be kept informed, and to share opinion as well as information: scurrilous verses attacking and satirizing Bacon and his fellow subjects of scan
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Martyrdom in a Merchant World: Law and Martyrdom in the Restoration Memoirs of Elizabeth Jekyll andonformist political and religious memory martyrdom is the dominant figure for the ceaseless pain of the past, and its meanings in the present. Yet, for a memory to operate as a prompt to political action in the present it must be freed of some of its ties to the past — a branding . of memory involve
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Language, Discourse, Societyhttp://image.papertrans.cn/l/image/587287.jpg
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https://doi.org/10.1057/9780230597662drama; English; English literature; event; freedom; historicism; history of literature; John Selden; liberty
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