Titlebook: Literature and the Renewal of the Public Sphere; Susan VanZanten Gallagher (teaches in the English Book 2000 Palgrave Macmillan, a divisi

对待

Enacting the Bonds of Love in ,,ated between our actions and our understanding of the world. . was once read as a triumphant if wrenching vindication of these forms. Now the play is commonly read as an equally wrenching exposure or evacuation of them. In either mood, however, what inspires our reading is the depth of our own cultural dislocation.

哪有黄油

Auden and the Dream of Public Poetry,st, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun, Pour away the ocean and sweep up the wood; For nothing now can ever come to any good..

Asymptomatic

Matrimony

Book 2000to as ‘the public sphere‘. The essays range from close commentaries on particular texts ( King Lear, The Brothers Karamazov, ‘Bartleby the Scrivener‘) to surveys of the careers of selected writers who have entered the public sphere (Elizabeth Gaskell, W.H. Auden, Raymond Carver, Sherman Alexie), to

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Introduction: The Public Muse,ephen Carter and Martha Nussbaum have responded with general-interest books like . (1993) and . (1995), insisting that religion and literature can make a vital contribution to political and economic life. At the same time, thanks to the widespread perception of crisis in public life, academic research on the so-called ‘public sphere’ is growing.

CBC471

Dostoevsky and the Prisoner,st the possibility that the detective feels a responsibility to foster such an act. Praised for their verisimilitude, such scenes of interrogation reveal that despite the landmark . (1966) decision, the act of police interrogation remains ‘somewhat akin to that of a hunter stalking his game’..

Dissonance