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Titlebook: Literature and the Discovery of Method in the English Renaissance; Patrick Grant Book 1985 Patrick Grant 1985 English.English literature.l

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,Thomas More’s ,: Moral Narration and Humanist Method, for my comming downe lett me shifte for my selfe’. The lieutenant’s attention is directed, humorously, to the poor workmanship of the scaffold — ‘so weake that it was redy to fall’, Harpsfield tells us — and the remark was, we are assured, ‘saide merily’.. How, More wants to know, can you get me on
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,Ben Jonson’s , Physiological Determinism and Balanced Judgement,at the collection is a kind of commonplace book ‘made upon men and matter: as they have flowed out of his daily readings’,. and the profuse marginal references, quotations and redactions make clear that such daily readings drew heavily upon classical authors. But classical scholarship for Jonson typ
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,William Law’s ,: Rationalist Argument and Behemist Myth, true devotion — the disposition, that is, of one ‘who lives no longer to his own . … but to the sole will of God’.. Law does not cut corners: ‘The short of the matter is this, either Reason and Religion prescribe . and . to all the ordinary actions of our life, or they do not: If they do, then it i
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Conclusion,ltural challenges posed by the rise of science in England during the Renaissance. My central claim can be put simply. It is that literature gives us the most complex verbal expression of human experience and, in so far as it is concerned with matters of belief, reaffirms our paradoxical ‘middle stat
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Introduction: Literature, Method and Metaphysics,ried, if sometimes antique, currency. Plato’s theory of Forms, Aquinas on individuation, Leibniz’s monadology, Hume on induction: these are part of the repertoire of Western thought, and we the patient initiates.
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https://doi.org/10.1007/978-1-349-07655-0English; English literature; literature; Renaissance; British and Irish Literature
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