Titlebook: Literature and Photography in Transition, 1850-1915; Owen Clayton Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited

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,‘Literature of Attractions’: Jack London and Early Cinema,tography, he also had an intimate and well-documented relationship with moving pictures. Robert Birchard speculates that London’s first direct encounter occurred as early as 1907, when the Kalem Film Company made a one-reel adaption of ... In 1908, London was asked to play the role of a plantation o

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Afterword,gitally enhanced.. It suggests that the quality of a digital photograph — even perhaps its authenticity — depends upon the photographer’s ability to produce genuine-looking simulacra, rather than on what Roland Barthes termed ‘the necessarily real thing which has been placed before the lens’, which

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Literature and Photography in Transition, 1850-1915

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Hybrid Photographies in ,,dvert would use photography as a figure for the self-evident suggests the status that it had achieved as a representational mode by 1861. Thanks to its unsurpassed level of mimetic accuracy, photography had become a common metaphor for fidelity. . was not only advertised using the metaphor of photog

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