Titlebook: Literary Tourism and Nineteenth-Century Culture; Nicola J. Watson (Senior Lecturer in Literature) Book 2009 Palgrave Macmillan, a division

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The Land of Burns: between Myth and Heritage,he Scottish poet Robert Burns was born. His birthplace and mausoleum, his favourite haunts and walks in what had become known as the ‘Land of Burns’, attracted literary tourists from early in the nineteenth century, responding to the Ayrshire bard’s creation of a sense of literary place in his poems and songs.

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Americans and Anti-Tourism,rging in the United States. It was, as importantly, also a land already familiarised and sanctified by literary associations and culturally generated preconception. These associations in large part determined the American tourist’s itinerary: Stratford for Shakespeare, the Lakes for Wordsworth and Scotland for Burns and Scott.

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search. Indispensable for students and scholars of nineteenth-century literature and culture, it provides fascinating insights into the reception of, amongst others, Shakespeare, Dickens, Byron and Wordsworth.978-0-230-23410-9

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From Early Modern to Romantic Literary Tourism: A Diachronical Perspective,sentation, make the British situation an eminently suitable case study to better understand how in nineteenth-century culture the practice of literary tourism came to be so successful. In order, however, to grasp its specificity, not only in a chronological and international perspective, but also as

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,Making Their Mark: Writing the Poet’s Grave, literary historians, and sociologists.. The pilgrim’s typical self-presentation is humbled, grieving, overwhelmed and silenced in the presence of the remains of immortal, transcendent ‘genius’. However, he or she is generally ‘literary’ also in the sense of being a writer (whether by professional v