Titlebook: Literary Tourism and Nineteenth-Century Culture; Nicola J. Watson (Senior Lecturer in Literature) Book 2009 Palgrave Macmillan, a division

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,The Author’s House: Abbotsford and Wayside,ts from an abject subordination to historical and literary association rather than, as it supposedly should, from pure form. In . . (1914), for example, Geoffrey Scott identified a ‘literary fallacy’ in romantic architecture, which he claimed ‘neglects the fact that in literature, meaning, or fixed

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Ghosting Grasmere: the Musealisation of Dove Cottage,th his brother. Whilst there they made a visit to the cottage that William Wordsworth and his sister Dorothy had moved to 90 years earlier, in December 1799. This was the ‘Home at Grasmere’ of Wordsworth’s eponymous poem, the cottage Wordsworth called ‘our happy castle,’. and ‘a home within a home,’

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Selling Literary Tourism in The Bookman,period was innocent of the profit motive. Certainly, anything in which print culture in general, or the world of periodicals in particular, took an interest was sure to be tied directly to business concerns. In the final decade of the century, one of the chief disseminators of information about lite

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,Time-Travel in Dickens’ World,s, festivals and museums have crowded round Dickens with an almost Shakespearean intensity, in spite of his dying wish to have no memorial or monument. — and in spite of the absence of a unique, established shrine. The likeness of Dickens is amongst the most recognizable of any author’s, while he an