Titlebook: Literary Politics; The Politics of Lite Deborah Philips (Professor in Literature and Cultu Book 2013 Palgrave Macmillan, a division of Macm

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resented to illustrate the effectiveness of ILC. The applied examples provided in this monograph are particularly beneficial to readers who wish to capitalise the system repetitiveness to improve system control978-1-85233-190-0978-1-84628-539-4Series ISSN 0170-8643 Series E-ISSN 1610-7411

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ed in these notes, including convergence analysis in terms of circular regions, and in complex arithmetic. Parallel circular iterations, where the approximations to the zeros have the form of circular regions containing these zeros, are efficient because they also provide error estimates. There are

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Introduction: The Politics of Literature and the Literature of Politics,tres of political debate. Francis Mulhern, in his 1979 study of F.R. Leavis’s journal ., has suggested that: ‘Literary criticism as it is mainly practiced in England is in reality the focal activity of a discourse whose foremost general cultural function is the repression of politics’ (Mulhern, 1981

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Literature and Politics,r business of literature and the proper business of politics. Literature deals with the eternal and universal — age and death, sexual desire and its waning — while politics deals with the temporary and the historically conditioned — the Russian Revolution, Italian fascism and the Spanish Civil War.

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Shakespeare v. The BNP,against far-Right organisations such as the British National Party (BNP)? And, what role can teaching play in these processes? This essay investigates the ways in which the far right in particular has used Shakespeare in the past and the present..

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,Roaring Boys and Weeping Men: Radical Masculinity in Webster’s ,ncluded a huge state funeral, public sermons (seventeen were published in early 1613), large numbers of individual poems, and a volume of three elegies by the playwrights John Webster, Cyril Tourneur and John Heywood. One of the public sermons on Henry’s death proclaimed Henry as the ideal fusion of

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Having the Last Word: World War I Fictions as Counter-Narratives,of fantasy and becomes the stock of history, the implications for a collective consciousness are many and far-reaching. First, for those who have first-hand experience of the event the issue is how to bear witness — how could words adequately describe something that reaches so far out and against co