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Titlebook: Literary Aesthetics of Trauma; Virginia Woolf and J Reina C. Wiel Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited

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发表于 2025-3-21 18:18:37 | 显示全部楼层 |阅读模式
书目名称Literary Aesthetics of Trauma
副标题Virginia Woolf and J
编辑Reina C. Wiel
视频video
图书封面Titlebook: Literary Aesthetics of Trauma; Virginia Woolf and J Reina C. Wiel Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited
描述Literary Aesthetics of Trauma: Virginia Woolf and Jeanette Winterson investigates a fundamental shift, from the 1920s to the present day, in the way that trauma is aesthetically expressed. Modernism‘s emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.
出版日期Book 2014
关键词Virginia Woolf; Jeanette Winterson; Modernism; Literary trauma; aesthetics; Narrative; transformation; Wool
版次1
doihttps://doi.org/10.1057/9781137311016
isbn_softcover978-1-349-45682-6
isbn_ebook978-1-137-31101-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
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Symbolization, Thinking and Working-Through: British Object Relations Theory,mation (Freud), reparation (Klein), potential space (Winnicott), illusion (Milner) and maternal handling (Bollas). Chapter 4 will, in fact, draw on Christopher Bollas’s essay ‘The Aesthetic Moment and the Search for Transformation’ (1978) to enrich its understanding of modernist formalist aesthetics
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,Woolf’s Embodied Cognitive Aesthetics: ,ould become . (1931). She distinguishes between conventional prose narrative, which is linear and has a ‘marvellous fact-recording power’, and the composite narrative form she deemed vital for the modern era: part prose, part poetry, giving ‘the outline rather than the detail’ (1927a: 435). This clo
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From Form to Feeling: Trauma and Affective Excess in ,hat she perceived in contemporary society. Reading had become ‘a leisure toy’ rather than ‘a cultural occupation’, and by and large, she argued, ‘the idea of art is debased’ (Winterson, 1995: 34, 43). Winterson acknowledges that ‘[o]urs has not been an easy century for art. At times, to talk about i
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,‘The Story of My Life’: Winterson’s Adoption, Art and Autobiography,r a more positive embracing of, the public’s fascination with her personal life — a fascination that she has arguably almost as much encouraged as contested throughout her writing career. The complaint, expressed in several reviews of other female artists and writers (Winterson, 2002b; 2005b; c; 200
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Italy.The resurgence of neo-fascist and neo-Nazi extremism all over Europe are a reminder of the continuing place of fascism in contemporary European society, despite its political and military defeat in 1945..This thoroughly revised, updated and expanded edition provides a critical and comprehensi
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Reina C. van der Wiel Italy.The resurgence of neo-fascist and neo-Nazi extremism all over Europe are a reminder of the continuing place of fascism in contemporary European society, despite its political and military defeat in 1945..This thoroughly revised, updated and expanded edition provides a critical and comprehensi
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