Titlebook: Linguistic Creativity; Exercises in ‘Philos Eugen Fischer Book 2000 Springer Science+Business Media Dordrecht 2000 Ludwig Wittgenstein.lang

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Semantic Creativity: The Philosophical Problem Againting up the first of these, we availed ourselves of a set of tools for introducing rigour into talk of semantic knowledge. These tools now allow us to develop our philosophical problem of semantic creativity with the requisite minimum of rigour. The former techniques will then allow us to cope with

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Post-Script Dissolving Philosophical Problemsquestions (Q.), (Q’.), (Q.), and (Q’.) we successively obtained as we rendered our heuristic questions (Q) and (Q’) more determinate, in a step-by-step manner. Eventually, we got rid of the philosophical part of the problem to whose solution these questions were to lead us: of the philosophical prob

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0921-8599 problem of linguistic creativity, which lies at thecore of philosophy of language and theoretical linguistics. It hasalso sparked off a considerable amount of work on the philosophy ofmind. .After establishing the failure of the familiar compositional approachto the problem, the book adopts a radica

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Semantic Creativity: The Philosophical Problem Againit. In this chapter, we shall thus prepare the ground by stating more precisely what the philosophical problem is that is bequeathed on us by the plight of the orthodox approach to semantic creativity we witnessed at the outset.

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The Orthodox Perspective: A Problem of Linguistic Creativityer question poses what is generally called the ‘problem of linguistic creativity’. The latter pinpoints the part of it philosophers tend to focus their attention on, which might be dubbed the ‘problem of semantic creativity’.

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