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Titlebook: Limits and Languages in Contemporary Irish Women‘s Poetry; Daniela Theinová Book 2020 The Editor(s) (if applicable) and The Author(s), und

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发表于 2025-3-21 19:21:30 | 显示全部楼层 |阅读模式
书目名称Limits and Languages in Contemporary Irish Women‘s Poetry
编辑Daniela Theinová
视频video
概述Broadens the context in which poetry by women has mostly been discussed.Contributes simultaneously to two fields, both Gaelic literary studies and anglophone Irish literary criticism.Offers an overvie
丛书名称New Directions in Irish and Irish American Literature
图书封面Titlebook: Limits and Languages in Contemporary Irish Women‘s Poetry;  Daniela Theinová Book 2020 The Editor(s) (if applicable) and The Author(s), und
描述.Limits and Languages in Contemporary Irish Women’s Poetry. examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinová explores the works of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinová engages directly with texts in both Irish and English. By highlighting these writers’ uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets—including Vona Groarke, Caitríona O’Reilly, Sinéad Morrissey, Ailbhe Darcy and Aifric Mac Aodha—this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation’s canon..
出版日期Book 2020
关键词Contemporary Irish poetry; Women‘s poetry; Anglo-Irish poets; Gaelic-Irish poets; Feminism; Post-feminism
版次1
doihttps://doi.org/10.1007/978-3-030-55954-0
isbn_softcover978-3-030-55956-4
isbn_ebook978-3-030-55954-0Series ISSN 2731-3182 Series E-ISSN 2731-3190
issn_series 2731-3182
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 23:34:48 | 显示全部楼层
Revolutionary Laughter: Irish Poets Dismantling Old Icons and Shibbolethsisplacement through a mocking revision of the motherland trope in the male canon. The need to define themselves against the national and literary past is a common theme in the works of feminist poets but is also found in poets such as Biddy Jenkinson and Vona Groarke who have distanced themselves fr
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Figures in a Landscape: Women on Language, Land and Desiremanhood in the masculine canon. Adopting the perspective of the male admirer, poets such as Nuala Ní Dhomhnaill, Medbh McGuckian, Eiléan Ní Chuilleanáin and Eavan Boland reverse the conventional distribution of roles between the speaking subject and the inspiring object. As they were coming to terms
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Poetry of Silence: Rhetorical Concealment and the Possibility of Speechhow poets such as Nuala Ní Dhomhnaill, Caitríona O’Reilly and Vona Groarke construe silence not as a shortcoming but as a benign factor inextricably linked with the possibility of speech. This tendency towards salutary silence goes hand in hand with the distancing techniques of self-irony and obliqu
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Kinds of Between: The Margin as a Mainspringtemporary women’s poetry. Attention is paid to works by Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Medbh McGuckian and Vona Groarke in which a figurative threshold is foregrounded that coincides with a specific mode—a symbolic locale that is the site of the poet–muse encounter and th
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Conclusion: Feminism After Poetrye natural and necessary transformation of feminist foci over time and generations. Theinová shows how the younger poets in Ireland have often taken up feminist themes and combined them with environmental and social critique as well as with considerations of language and identity. The latest poetic o
发表于 2025-3-23 07:18:31 | 显示全部楼层
ention several others. We, the present authors, have thus merely compiled and explained the works of others (with the exception of a few minor contributions of our own). Let us mention the origin of this treatise. A couple of years ago, J. Peetre suggested to the second author, J. Lofstrom, writing
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