Titlebook: Liberation, (De)Coloniality, and Liturgical Practices; Flipping the Song Bi Becca Whitla Book 2020 The Editor(s) (if applicable) and The Au

ALERT

Becca Whitla. Baer zu Königsthal bei Nordhausen Ueberschuß des Beitrags zum Allg. Deutsch. Jagdsch.-Verein Seitens des Brennereibesitzers Gisecke zu Nordhausen 5 M., 5. Obf. Haupt zu Harburg a. d. Elbe Strafgeld. vom Harburger Jagdverein pro 1888/89 11,30 M., 6. Apotheker H. Müller do. im Auftrage des dortigen

Ballerina

铁砧

inquisitive

Introduction: Flipping the Song Bird,associated with the European colonizing and Christianizing projects of the last 500 years. It sets the analysis of congregational singing of this work in the context of the author’s life and commitments and outlines her use of decolonizing and liberating methodologies. The introduction also outlines

medieval

(Trans)forming Praxis: Initial Rubrics for Liberating Song Leading,s. The chapter seeks to provide preliminary rubrics for liberating congregational singing that are contextual, accountable, and liberating. The analysis of these three examples focuses on congregational song leading using global hymnody. The rest of the book will extend, expand, and problematize the

fallible

会议

The Empire Sings,gregational singing from this inheritance is imbued with coloniality—the all-encompassing residual web of colonizing processes, tendencies, and practices. It exposes the British version of coloniality as including a promulgation of “a” superior British culture and identity which is intrinsically int

Discrete

Singing Back Against Empire (or the Subaltern Sings Back), first deconstructive, the second more constructive, offer rich perspectives to help examine how marginalized peoples sing the hymns of empire as well as their own songs. Homi Bhabha’s concepts of mimicry, hybridity, and Third Space are used to deconstruct coloniality and point toward liberating pot

Vaginismus

Palpitation

Liberating the Song Bird,resent in congregational singing. The singing of a trade union choir as a locus for doing theology through song elicits germinative principles for a liberating liturgical theology, animated by the Holy Spirit. The choir is shown to embody a sacramental praxis through which the work and grace of the