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Titlebook: Language and Metadrama in Major Barbara and Pygmalion; Shavian Sisters Jean Reynolds Book 2022 The Editor(s) (if applicable) and The Author

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“The Holiest and Greatest Things” a fervent faith community, there can be discrepancies in how believers use theological terms—“salvation,” for example. An equally serious problem is that believers may feel pressured to put aside their critical thinking skills when they read, write, and talk about their faith. One important step is
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Jean ReynoldsExamines Bernard Shaw’s metadramatic strategies.Explores important postmodern language concepts in Major Barbara.Challenges widespread assumptions about identity and language formation
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978-3-030-96073-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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The Power of Imaginationwere” to find meaningful work with the downtrodden clients at a Salvation Army shelter. Unfortunately for Barbara, the people who love her don’t have the same gift for imagining: In 1905, when Shaw wrote ., feminism was far in the horizon. Nevertheless, . offers hints about a promising future for Barbara after she leaves the Salvation Army.
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A Girl Becomes a Womancome together again to end the story happily. . and ., however, feature a more complex love story that includes challenging work, thoughts of suicide, and enlightenment. It’s likely that both plays are influenced by the classical Psyche myth, which explores how love and loss help young girls metamorphose into mature women.
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Competing Componentsge problems that are discussed in this chapter. Higgins and Eliza struggle with the question of who owns language, for example. Other topics in this chapter include the classification function of language, Plato’s ideas about language, and the competing components that complicate the task of interpreting a text.
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