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Titlebook: Language Rights and the Law in the European Union; Eduardo D. Faingold Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 EU l

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书目名称Language Rights and the Law in the European Union
编辑Eduardo D. Faingold
视频video
概述Discusses the historical, economic, educational and political contexts of language status and use within the European Union.Examines two European Union member states as case studies of minority langua
图书封面Titlebook: Language Rights and the Law in the European Union;  Eduardo D. Faingold Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 EU l
描述.This book examines the language policies relating to linguistic rights in European Union law and in the constitutions and legal statutes of some European Union member states. In recent years, the European Union has seen an increase in claims for language recognition by minority groups representing a considerable population (such as Catalan in Spain and Welsh in the UK). Additionally, there is a developing situation surrounding the official use of English within the European Union in the aftermath of the Brexit vote. In light of these two contexts, this book focuses on the degree of legal protection afforded to linguistic groups in the European Union. It will be of interest to students and scholars of language policy, EU law, minority languages and sociolinguistics. .
出版日期Book 2020
关键词EU law; Brexit; Spain; Catalan; Welsh; Flemish; Treaty of Lisbon; English; language of diplomacy; european un
版次1
doihttps://doi.org/10.1007/978-3-030-33012-5
isbn_ebook978-3-030-33012-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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Eduardo D. Faingoldng on a wooden pew. Even in classical concerts kettledrum and double bass are sensed not only with our ears. The air-borne sound causes seat vibrations or excites the skin surface directly. For some instruments (e.g. an organ) structure-borne sound is transmitted directly from the instrument to the
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Eduardo D. Faingoldon) perception. Therefore, position information can be distorted, especially along the z-axis. In this paper, virtual grids using haptic and auditory feedback are proposed to complement ambiguous visual depth cues. This study experimentally investigates the influence of virtual grids on position ide
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ontrol, virtual reality, and human computer interaction. If we try to identify the origins of haptics research, it can be said to have emerged from the teleoperator systems of the late 1940s. In these initial explorations, increasing the transparency level of the mechanical master/slave manipulator
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Eduardo D. Faingolds etc. Another reason for growing interest in recent years is the importance of the vibrations generated by the performance of music for multimedia reproduction systems. There is a strong relationship between the frequency of the auditory stimulus and the frequency of the tactile stimulus, which sim
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Eduardo D. Faingoldntent. This study concerns to what extent it is possible to perform the same differentiation considering vibratory tactile stimuli. Three perceptual experiments have been carried out in an attempt to compare discrimination thresholds in terms of spectral differences between auditory and vibratory ta
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