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Titlebook: Landscapes of Writing in Chicano Literature; Imelda Martín-Junquera Book 2013 Imelda Martín-Junquera 2013 America.crisis.drama.environment

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发表于 2025-3-21 18:24:02 | 显示全部楼层 |阅读模式
书目名称Landscapes of Writing in Chicano Literature
编辑Imelda Martín-Junquera
视频video
图书封面Titlebook: Landscapes of Writing in Chicano Literature;  Imelda Martín-Junquera Book 2013 Imelda Martín-Junquera 2013 America.crisis.drama.environment
描述Adding nuance to a global debate, esteemed scholars from Europe and North and Latin America portray the attempts in Chicano literature to provide answers to the environmental crisis. Diverse ecocritical perspectives add new meaning to the novels, short stories, drama, poetry, films, and documentaries analyzed in this timely and engaged collection.
出版日期Book 2013
关键词America; crisis; drama; environment; Imagination; novel; Paratext; poetry; space
版次1
doihttps://doi.org/10.1057/9781137353450
isbn_softcover978-1-349-45125-8
isbn_ebook978-1-137-35345-0
copyrightImelda Martín-Junquera 2013
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,“In Spanish, mi hermano, in Spanish.” It Is Good to Speak in Español in USA,ue and cover in detail all areas of the earliest knowledge and human experiences relative to Spanish but that is partially the point. The truth is that this romance language continued until the early nineteenth century to be the most spoken language within the territory of what today is the United States.
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,Harvesting a Chicana Cultural Landscape: The Manipulation in Sandra Cisneros’ “Women Hollering Cree reality as Chicanas/os reckon with how environmental factors play a role in shaping and framing reality as experience. Landscapes become frameworks wherein ideologies of historical nature are represented through a cultural lens making the author’s ideas as well as perceptions about land culturally relevant and significant.
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,Performance and Linguistic Spectacle in Sandra Cisneros’ , and Junot Díaz’s ,008) highlight performativity in their recent epic novels—. (2002) and . (2007), which won the Pulitzer prize in 2008. The writers engage in linguistic and ethnic spectacularity as performative strategies through which they present themselves as innovative American writers who display ethnicity and exhibit aesthetic prowess.
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Chicana Poetry: Writing the Feminine into the Landscape,no/a perceptions of reality are at odds if not diverging and that ethnicity and genre are not to be superimposed, or associated in an ethnocentric nebulae, but rather be separated by a feminine-masculine rift.
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Devotion and Transnationalism: Simultaneous Guadalupan Landscapes,ty of people with supralocal identities and culture (9). From an anthropological point of view, cultures are based on symbols that point to shared values, and therefore this chapter will try to analyze how faith in the Virgin of Guadalupe has transcended several geographic frontiers—first Spanish, then Mexican, and finally the US.
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