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Titlebook: La philosophie contemporaine / Contemporary philosophy; Chroniques nouvelles Guttorm Fløistad Book 1982 Martinus Nijhoff Publishers, The Ha

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Philosophy of quantum mechanics,atics”. Its denotation includes a vast class of research: from very technical investigations about the logical foundations of the theory up to general discussions of some traditional gnoseological and metaphysical questions (such as “idealismus” versus “realismus”, etc.).
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The right not to be hungry,t all. But that piece of sophisticated cynicism provides not so much a penetrating insight into the practical affairs of the world, but merely a refusal to investigate what people mean when they assert the existence of rights that, for much of humanity, are plainly not guaranteed by the existing institutional arrangements.
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Contemporary Philosophy: A New Surveyhttp://image.papertrans.cn/l/image/580196.jpg
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The revival of causality,The last two decades saw a vigorous resurgence of causal questions, analyses and theories. Like many another central philosophical problem, the causal problem is actually a whole cluster of problems. It can be divided into two parts:
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daß Hölderlin an einigen Stellen Änderungen vornahm, die nicht beibehalten werden können (vgl. V 350 Hell.). Manche Fehler des Drucks sind aus schweren Verlesungen entstanden (z. B. . für . [v. 1048], von Hölderlin selbst im Fehlerverzeichnis berichtigt).
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Guttorm Fløistadon the unlimited “machine process” of “a clever race” of money-tyrants. It also draws attention to Greece’s warnings about the mortal danger of the eyes in myth, cult and theatre. This monograph thus introduces an urgently needed vision not only of Hölderlin hymns, but also the relevance of discipli
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Alexander Rosenbergnce of estrangement in the tragic play to that of modern time, this chapter introduces, following Seaford (and Mikhail Bakhtin) the concept of a .: a coincidence of time and space. This conceptual enhancement is thus preparatory for our descent into the (almost impenetrable) darkness of mystery-cult
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Theodore Kisielon the unlimited “machine process” of “a clever race” of money-tyrants. It also draws attention to Greece’s warnings about the mortal danger of the eyes in myth, cult and theatre. This monograph thus introduces an urgently needed vision not only of Hölderlin hymns, but also the relevance of discipli
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