Titlebook: Klein, Sartre and Imagination in the Films of Ingmar Bergman; Dan Williams Book 2015 The Editor(s) (if applicable) and The Author(s) 2015

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,Sartre’s Theory of Imagination and ,ean-Paul Sartre’s best-known work of philosophy, ., employs the concepts of the ‘for-itself’ and the ‘in-itself’ to distinguish two modes of being. As a starting point we can see that the ‘for-itself’ refers to consciousness, and the ‘in-itself’ refers to matter. However, Sartre’s theory is more com

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From Three Early Bergman Films to an Analysis of ,oints of convergence are apparent in the application of these ideas to Ingmar Bergman’s films. Both theories focus on the imagination as an aspect of human nature that must be understood in its own right. At the same time, both theories observe and emphasise a relational process in which the imagina

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