Titlebook: Justiciability of Human Rights Law in Domestic Jurisdictions; Alice Diver,Jacinta Miller Book 2016 Springer International Publishing Switz

敌意

联邦

哑巴

Rhuks Ako,Ngozi Stewart,Eghosa O. EkhatorContagious Diseases Acts in 1886. The period between 1886 and the Royal Commission into Venereal Disease has only been of interest to historians of first-wave feminism investigating the suffragette interest in syphilis and social purity.. That is not to say that interest in venereal disease faded du

Canopy

Deborah Magill from thair vices and syne of venerie’ and work for ‘thair [.] support, on pain, else being branded with a hot iron on their cheek and banished from the town‘.. The Aberdeen council believed it was necessary to stigmatize possible carriers of syphilis in this way, in order to differentiate fallen wo

Eeg332

Hyperplasia

Francesca Capone from thair vices and syne of venerie’ and work for ‘thair [.] support, on pain, else being branded with a hot iron on their cheek and banished from the town‘.. The Aberdeen council believed it was necessary to stigmatize possible carriers of syphilis in this way, in order to differentiate fallen wo

自然环境

MOCK

Michelle-Thérèse Stevensonorical attention. The Acts have become something of a watershed for historians of the mid-nineteenth century and have been used to demonstrate the emergence of feminism and social purity in Britain, developments in public health, radical reform in the army and struggles within the Liberal Party. In

榨取

Maria Helen Murphyelieved that the campaign should be put on a more scientific footing. In late 1874 the National Medical Association for the Repeal of the Contagious Diseases Acts (NMA) was instituted under the leadership of the Liverpool consultant, John Birkbeck Nevins. The NMA published its own journal, the ., in

craven

Roberto Cippitaniwomen; Chapter 2 shows that Rosario Castellanos champions asexuality and refuses the lesbian subject that attracts her; Chapter 3 looks at diva-lectual women writers, such as Antonieta Rivas Mercado, Guadalupe Amor, and Elena Garro, who flaunt the difference of the feminine in their performances, wh