Titlebook: John Clare and the Imagination of the Reader; Paul Chirico Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007 b

矜持

书目名称John Clare and the Imagination of the Reader影响因子(影响力)




书目名称John Clare and the Imagination of the Reader影响因子(影响力)学科排名




书目名称John Clare and the Imagination of the Reader网络公开度




书目名称John Clare and the Imagination of the Reader网络公开度学科排名




书目名称John Clare and the Imagination of the Reader被引频次




书目名称John Clare and the Imagination of the Reader被引频次学科排名




书目名称John Clare and the Imagination of the Reader年度引用




书目名称John Clare and the Imagination of the Reader年度引用学科排名




书目名称John Clare and the Imagination of the Reader读者反馈




书目名称John Clare and the Imagination of the Reader读者反馈学科排名

银版照相

Audience and Haunting,etc’ — and he recalls talking to himself and allowing his thoughts to wander. His most arduous task, a weekly or twice-weekly winter trip to Maxey (a ‘distant village’ some two or three miles from Helpston) to fetch flour, called this developing imagination into more serious service:

哥哥喷涌而出

Introduction: Whose Clare?,spects of Clare’s biography, I attend centrally to his writings rather than to his (compelling) life-story, offering detailed readings of a broad range of the carefully constructed texts — many of them unpublished until recent years, or unnoticed by critics — in which all these related histories converge.

monogamy

http://image.papertrans.cn/j/image/501059.jpg

LARK

Book 2007This broad and original study of the full range of John Clare‘s work is the first to take seriously his repeated appeals to the judgement of future readers. A series of close readings reveals Clare‘s sophisticated poetics: his covert quotations, his careful analysis of the history, and his fascination with literary success and posthumous fame.

thrombus

https://doi.org/10.1057/9780230591103bibliography; future; history; history of literature; imagination; knowledge; poetics; time

白杨鱼

Time and Labour,In 1814 Clare paid a week’s wages for a ‘book of blank paper’ from a local bookseller.. On its fourth page he wrote his own name and that of his village, the year and the title ‘A RUSTIC’S PASTIME, IN LEISURE HOURS’. In the middle he copied a ten-line epigraph from Allan Ramsay:

帽子

,Conclusion: Clare’s Muse,Writing to Taylor three months after the publication of ., Clare discusses, in addition to these new sonnets, his desire to rework some of the material which had not been printed in that first volume:

cochlea

The Sociable Text,’. Quoting an important poem from the volume, Taylor — unlike many critics — is careful to distinguish the poet from his protagonist, while using the contrast between the two as the starting point for a detailed discussion of Clare’s uses and abuses of customary language and syntax:

Foolproof