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Titlebook: John Banville‘s Narcissistic Fictions; The Spectral Self Mark O’Connell Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Li

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发表于 2025-3-21 16:24:47 | 显示全部楼层 |阅读模式
书目名称John Banville‘s Narcissistic Fictions
副标题The Spectral Self
编辑Mark O’Connell
视频video
图书封面Titlebook: John Banville‘s Narcissistic Fictions; The Spectral Self Mark O’Connell Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Li
描述In reading Banville‘s novels through the work of key psychoanalytical theorists, John Banville‘s Narcissistic Fictions brings together apparently disparate thematic strands - missing twins, shame, false identities - and presents these as manifestations of a central concern with narcissism.
出版日期Book 2013
关键词fiction; Narrative; novel; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137365248
isbn_softcover978-1-349-34834-3
isbn_ebook978-1-137-36524-8
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
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Conclusion,one; just as his narrators are obsessively inward-directed, his language is always acutely concerned with its own elegance, its own ambiguities and evasions. The result is a radically self-enclosed body of work. As he put it in an . article following the death of Samuel Beckett: ‘All literary artist
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Mark O’Connellavigation and components, and learn its life cycle events and other components.You will learn features specific to each Blazor type. You will see how Blazor works with storage, files, and JavaScript, and you will create a Blazor code library. You will also create web applications in Blazor using pra978-1-4842-8767-5978-1-4842-8768-2
发表于 2025-3-22 06:45:45 | 显示全部楼层
Mark O’Connellation, and routes for the API. Here, you will understand how to access the API from the front end and use theshared library for different models..Moving forward, you will discover how Blazor works with storage, files, and JavaScript. Finally, you will create web applications in Blazor using practical implementations and real-lif978-1-4842-5446-2
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The False Self,on came at a late stage in the novel’s composition. He acknowledged that, at some point, he was ‘really going to have to stop dealing with these inauthentic men who have made themselves’, and went on to speak about the pervasiveness of inauthenticity among artists:
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