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Titlebook: Jefferson and the Iconography of Romanticism; Folk, Land, Culture, Malcolm Kelsall Book 1999 Palgrave Macmillan, a division of Macmillan Pu

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书目名称Jefferson and the Iconography of Romanticism
副标题Folk, Land, Culture,
编辑Malcolm Kelsall
视频video
丛书名称Romanticism in Perspective:Texts, Cultures, Histories
图书封面Titlebook: Jefferson and the Iconography of Romanticism; Folk, Land, Culture, Malcolm Kelsall Book 1999 Palgrave Macmillan, a division of Macmillan Pu
描述Jefferson and the Iconography of Romanticism is the first full-length study to examine how Jefferson, in the process of inventing the USA as the first new nation of the Romantic era, sought to find an appropriate imagery to represent the people, their homeland and the cultural ideal to which they should aspire. It examines in detail the role of his villa at Monticello in embodying the national ideal, shows how those ideals emerged and how they were subsequently challenged by the reinterpretation of Jefferson‘s iconography.
出版日期Book 1999
关键词corpus; culture; Iconography; interpret; knowledge; nation; pilgrim; Romanticism; USA; writing; British and Ir
版次1
doihttps://doi.org/10.1057/9780230378742
isbn_ebook978-0-230-37874-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1999
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Romanticism in Perspective:Texts, Cultures, Historieshttp://image.papertrans.cn/j/image/500805.jpg
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The Pilgrimage to Monticello,Marquis de La Fayette, ‘the Nation’s Guest’ — was headed by a detachment of cavalry; next came a body of American dignitaries; behind marched the Albemarle Lafayette Guards, and finally a great body of citizens. It was a long and circuitous route to the top of the ‘little mountain’. Everywhere, so i
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Jefferson Seals the Revolution,erica’.. The members of the committee were John Adams, Benjamin Franklin and Thomas Jefferson, drawn from the committee which had earlier drafted the Declaration of Independence. They were supplemented by an emigrant Swiss painter, Pierre-Eugène du Simitière. The Declaration and the Seal are concomi
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The Villa on a Hill, experience of the pilgrimage to Monticello taken by La Fayette on 4 November 1824. For the European it is a remote experience. The journey, even now, has been long and arduous across the Atlantic — even if not ‘romantic’ in the economy-class of a 747. The romantic dimension may be added, however, b
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Writing Monticello,cepted that architectural conventions derive from the permanent forms of Nature and Nature’s God (Jefferson’s neoPalladian belief) the very concepts ‘Nature’ and ‘God’ are subjective, subject to fundamental contestation, and may even be mutually contradictory. Any attempt to ‘fix’ the meaning of Mon
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