Titlebook: Japanese Perspectives on Kazuo Ishiguro; Takayuki Shonaka,Takahiro Mimura,Shinya Morikawa Book 2024 The Editor(s) (if applicable) and The

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978-3-031-25000-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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https://doi.org/10.1007/978-3-031-24998-3British and Irish Literature; Literature and Postcolonial Studies; Japan; Asia; Reception history; Adapta

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Osamu Tezuka’s , and Kazuo Ishiguro’s rview of the robot boom stages in post-war Japan, Taketomi traces the embryonic development of ., the impact of WWII on young Tezuka’s creativity, and his magnetic stimuli to subsequent world-renowned film directors, including Stanley Kubrick. Furthermore, she provides a series of arguments about th

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Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ism, stereotypically Japanese elements (ghosts, suicide and pause) and descriptive oddities in the story, Tajiri demonstrates that these historical and cultural discrepancies are embedded in Ishiguro’s story to trick readers, Western or Japanese, into feeling suspense. Moreover, Tajiri compares ‘A F

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Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasakig to Kato, Ishiguro believed that his hometown Nagasaki had been the very place where the oldest picture of a female ghost, painted by Maruyama Okyo (an eighteenth-century Japanese painter), was ‘born’. However, Kato proves by her thorough research that this claim is false. Kato conjectures that thi

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The Hidden Ghost Story: Ishiguro, , and Troubled English Belief on Ishiguro’s fiction has been noted in other studies, Shen directs our attention to another contemporary Japanese filmmaker, Kenji Mizoguchi, and his hitherto overlooked influence on Ishiguro. Shen refreshingly reads Ishiguro’s . as a literary work that combines intertextual and stylistic echoes o