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Titlebook: Japanese Cinema Between Frames; Laura Lee Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cinematic Interval.Film Technolog

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发表于 2025-3-21 19:41:19 | 显示全部楼层 |阅读模式
书目名称Japanese Cinema Between Frames
编辑Laura Lee
视频video
概述Provides a theoretically-rich treatment of Japan’s historical new media contexts.Focuses on films that are widely known and easily accessible.Emphasizes the importance of global film culture to the co
图书封面Titlebook: Japanese Cinema Between Frames;  Laura Lee Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cinematic Interval.Film Technolog
描述.This book explores the rich complexity of Japan’s film history by tracing how cinema has been continually reshaped through its dynamic engagement within a shifting media ecology. Focusing on techniques that draw attention to the interval between frames on the filmstrip, something that is generally obscured in narrative film, Lee uncovers a chief mechanism by which, from its earliest period, the medium has capitalized on its materiality to instantiate its contemporaneity. In doing so, cinema has bound itself tightly with adjacent visual forms such as anime and manga to redefine itself across its history of interaction with new media, including television, video, and digital formats. .Japanese Cinema Between Frames. is a bold examination of Japanese film aesthetics that reframes the nation’s cinema history, illuminating processes that have both contributed to the unique texture of Japanese films and yoked the nation’s cinema to the global sphere of film history..
出版日期Book 2017
关键词Cinematic Interval; Film Technology; Media Ecologies; Japanese Film History; Japanese Film Aesthetics
版次1
doihttps://doi.org/10.1007/978-3-319-66373-9
isbn_softcover978-3-319-88228-4
isbn_ebook978-3-319-66373-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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发表于 2025-3-21 21:15:31 | 显示全部楼层
Modern Vitality: Pure Film and the Cinematic, narrative cinema in the 1910s and 1920s. Focusing on the writings of reformers associated with the Pure Film Movement, it correlates these techniques of the interval with the creation of a modern film language, which simultaneously defined the new medium of film as separate from theater and negotia
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Animating the Image: Patch Work and Video Interactivity, low-budget animation, which compress spatial and temporal coordinates in the frame instead of aiming for seamless continuity. Lee highlights how . transforms these anime techniques into a live-action display of discontinuity that harnesses the interval between frames to connect cinema to then-new v
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Conclusion,ntermediality, with the expressivity of frame-by-frame control tying it closely to animation while opening out onto multiple other media forms. Lee thus cites the interval as a locus for tracing transformations in Japanese film history, as it reveals how cinema instantiates its contemporaneity throu
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发表于 2025-3-23 03:27:36 | 显示全部楼层
Laura Lees for self-learners.Presents ZigBee communications programmi.This 2nd edition textbook has been expanded to include of 175 additional pages of additional content, created in response to readers feedback, as well as to new hardware and software releases.  The book presents foundational robotics conce
发表于 2025-3-23 08:27:14 | 显示全部楼层
Laura Leeence fiction as a vehicle for exploring actual science and as a springboard for discussing some of the exciting topics that are currently being researched. Our examples will be drawn primarily from film and television, with occasional reference to some of the classic works of science fiction literat
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