Titlebook: Jane Austen and Reflective Selfhood; Rereading the Self Linda Charlton Book 2022 The Editor(s) (if applicable) and The Author(s), under exc

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https://doi.org/10.1007/978-3-031-12160-9Jane Austen; Selfhood; Reflection; Moral judgement; Reading practice; Narrative technique; Enlightenment p

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978-3-031-12162-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Imagination and the Creative Self: The Reader and the Writer, value of creative power and the potential for different readings which it makes possible. By portraying imagination and reason as complementary rather than antithetical approaches, Austen engages with both the duality of imagination in the philosophy of selfhood and the contemporary debate about reading, creativity and judgement.

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Proofs, Probabilities and Ambiguities,ctly informs her narrative style because she uses a range of narrative techniques which repeatedly destabilise the narrative and subvert reader expectation. This frames our responses to her work, inviting us to consider our own interactions with character and text and challenging us to think beyond what is probable in our own reading experience.

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Sympathy: Self and Society,It argues that Austen not only demonstrates Smith’s connection between situation and sympathy, and between sympathy and moral sense, but that she also challenges her readers to reflect on the central role of situation in their own sympathetic and moral responses to her characters and raises questions about the basis on which we judge them.

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