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Titlebook: Jane Austen and Performance; Marina Cano Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Afterlives.Novel.Women‘s writing.A

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发表于 2025-3-21 16:31:02 | 显示全部楼层 |阅读模式
书目名称Jane Austen and Performance
编辑Marina Cano
视频video
概述Adopts an interdisciplinary, historical approach.Explores new unexamined materials, such as suffrage novels, theatrical productions in Scotland and performances at schools and amateur clubs in Britain
图书封面Titlebook: Jane Austen and Performance;  Marina Cano Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Afterlives.Novel.Women‘s writing.A
描述This is the first exploration of the performative and theatrical force of Austen’s work and its afterlife, from the nineteenth century to the present. It unearths new and little-known Austen materials: from suffragette novels and pageants to school and amateur theatricals, passing through mid-twentieth-century representations in Scotland and America. The book concludes with an examination of Austen fandom based on an online survey conducted by the author, which elicited over 300 responses from fans across the globe. Through the lens of performative theory, this volume explores how Austen, her work and its afterlives, have aided the formation of collective and personal identity; how they have helped bring people together across the generations; and how they have had key psychological, pedagogical and therapeutic functions for an ever growing audience. Ultimately, this book explains why Austen remains the most beloved author in English Literature.
出版日期Book 2017
关键词Afterlives; Novel; Women‘s writing; Adaptation; Film; Theatre; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-3-319-43988-4
isbn_softcover978-3-319-82955-5
isbn_ebook978-3-319-43988-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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发表于 2025-3-21 21:42:29 | 显示全部楼层
发表于 2025-3-22 00:31:06 | 显示全部楼层
Jane and Fans,m. By tracing their reading and writing practices, preferences and involvement in the Austen community, this chapter explores the ways old texts and modern fan fiction wield the efficacious power to heal mental and physical disorders, create communality, encourage marital bliss and even help master the art of writing.
发表于 2025-3-22 07:29:14 | 显示全部楼层
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发表于 2025-3-22 14:47:44 | 显示全部楼层
Jane Austen and the Theatre of War,, E. Barrington and others are read alongside the early twentieth-century proliferation of war memorials to argue that the print afterlives are central to the 1910s–1920s reconstruction of Austen as a monument of national identity.
发表于 2025-3-22 17:22:49 | 显示全部楼层
Early Re-Enactments,. At the same time, the constant fragmentation of her texts (through brief sketches and isolated scenes) suggests the ultimate futility of the struggle to reconstruct an old form of national identity.
发表于 2025-3-22 21:40:32 | 显示全部楼层
Jane Austen Abroad, on the radio and on screen) and contends that Austen helped create a sense of collective identity in America’s early heterogeneous society. Original, primary research conducted at the Scottish Theatre Archive (Glasgow) is discussed and photos of Scottish performances are reproduced.
发表于 2025-3-23 03:55:47 | 显示全部楼层
Epilogue,ther”. Other spectators are less savvy: the two middle-aged couples I met in the queue did not know what awaited them inside. Austentatious has sold out which, one technician informs me, is a regular occurrence despite their lunchtime slot.
发表于 2025-3-23 08:55:32 | 显示全部楼层
https://doi.org/10.1007/978-3-319-43988-4Afterlives; Novel; Women‘s writing; Adaptation; Film; Theatre; British and Irish Literature
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