| 书目名称 | Italy through the Red Lens |
| 副标题 | Italian Politics and |
| 编辑 | Gianluca Fantoni |
| 视频video | |
| 概述 | Develops an original approach to understanding cinematic texts in the contexts of historical research.Offers a new approach to the study of cultural artefacts in historiography.Unpacks the enduring po |
| 丛书名称 | Italian and Italian American Studies |
| 图书封面 |  |
| 描述 | .This book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI’s relationship with the student movements in 1968 and 1977, and the PCI’s response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI’s propaganda effort. . . |
| 出版日期 | Book 2021 |
| 关键词 | Italian Cinema; Italian Communist Party; Communist propaganda; Italian post-war culture; Socialist reali |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-030-69197-4 |
| isbn_softcover | 978-3-030-69199-8 |
| isbn_ebook | 978-3-030-69197-4Series ISSN 2635-2931 Series E-ISSN 2635-294X |
| issn_series | 2635-2931 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
发表于 2025-3-21 19:52:17
