Titlebook: Italian Modernities; Competing Narratives Rosario Forlenza,Bjørn Thomassen Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 I

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Competing Modernities: Postwar Italy and the Struggle over a Divided Past,reness of democratic foundations after the disastrous experiences of totalitarianism, war, and civil war? As a Liberal brochure put it in 1943, ‘Once again [we need] to make Italians… We have to turn them from subjects to citizens’.

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Into Italy, into the Modern,of the Cathedral of Saint Mary Assumption. Before entering, it is impossible not to contemplate the façade. The most striking feature of the upper façade is certainly the portrait of ., signed by a certain Solsternus. But what is really striking is not only the portrait itself, but evenly so the ins

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Gramsci and the Italian Road to Socialist Modernity, French Revolution, and if Catholics had started their own elaboration of an antirevolutionary modernity grounded in Christianity and Italian history, then Italian socialists from the early twentieth century faced a similar task within this larger field of ideological competition: the elaboration of

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Fascist Modernity,rogressive model of modernization. This chapter will discuss how Fascism tried to come to grips with Italy’s road to modernity through the reinterpretation of the national past and the elaboration of a nexus between past and present. In particular, the chapter will discuss how Fascism reinterpreted

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Frictions of Modernity: World War II as Historical Juncture,ared attempt to outline a particular Italian road to modernity. In so doing, these major-isms and ideological–social forces had laid the ground for wildly different narratives about the ‘soul’ of the nation, about the country’s virtues to safeguard and vices to overcome. As we have outlined in the p