Titlebook: Italian Masculinity as Queer Melodrama; Caravaggio, Puccini, John Champagne Book 2015 John Champagne 2015 Affect.history.pain

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John Champagney.Two appendices form Part 5: the Greek etymology of frequent terms and a list of mathematicians mentioned in the book. Abundant examples and exercises are disseminated along the text to boost the learning proc978-3-030-87176-5978-3-030-87174-1

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and Social Melodrama,through which opera produces meaning suggests it is particularly suited to the melodramatic sensibility and its efforts to make present that which is “beyond” words. No wonder it flourished in this most synthetic of the arts.

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2946-3858 culinity has often been articulated through melodrama. Wide in scope and multidisciplinary in approach, this much-needed study shows the vital role of affect for both Italian history and masculinity studies.978-1-349-50165-6978-1-137-47004-1Series ISSN 2946-3858 Series E-ISSN 2946-3866

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Introduction: Italian Masculinity and Melodrama, Rebibbia prison. Beginning with a sequence of the production’s final moments, the film then flashes back to when the actors—men who are serving sentences for organized crime and murder—audition. For their auditions, the men must recite their name, place of birth, paternity, and city of residence, b