Titlebook: Italian Goth Subculture; Kindred Creatures an Simone Tosoni,Emanuela Zuccalà Book 2020 The Editor(s) (if applicable) and The Author(s) 2020

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Introduction: Enacting Goth in Milan in the 1980s,he 1980s: the activist, the music club and the loner enactments of dark. It also introduces the conceptual triplet that will be employed in the book to address them: enactment, social practices and subcultural canon. This practice-centred approach is needed because Milanese goth cannot be accounted

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,Der Himmel Über Milan: The City of Milan in the Early 1980s,tical points of view: the years when the movements of the 1970s came to an end and a general withdraw in the private sphere started. Two complementary tendencies could be observed in Milan: the ongoing harsh repression of the political movements by the state connected to their terrorist drift and th

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Another No Future: From Anarcho-Punk to the Activist Enactment of Dark,s within the squat Virus between those subjects who started to “play with the codes of dark” and the activist “punx” (how anarcho-punks called themselves). The former, in fact, found the line of frontal contraposition adopted by the squat too narrow, and found their concerns about identity politics,

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A Batcave in Via Redi: The Music Club Enactment of Dark,clubs, and in particular of the Hysterika disco, the main dark club in Milan in the 1980s. The specificities of the disco club enactment are addressed and compared to those of the activist enactment: these differences do not relate only to the stance towards political activism, which music club dark

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Siberia: The Loner Enactment of Dark,of Milan. Differently from the other enactments, in this loner one the experience of subcultural belonging was lived aloneness, or in small isolated groups often composed by members with different subcultural affiliations. The enactment, which could represent either a temporary phase in a subcultura

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