Titlebook: Issues in Contemporary Oil Paint; Klaas Jan van den Berg,Aviva Burnstock,Gunnar Heyd Book 2014 Springer International Publishing Switzerla

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Book 2014interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.  The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degrad

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characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches..978-3-319-37933-3978-3-319-10100-2

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Twentieth Century Oil Paint. The Interface Between Science and Conservation and the Challenges for related to the formation of magnesium sulphate hydrate in selected manufactured oil paints, and criteria for further investigation of the phenomena in other paints. Contributions in this volume that address other classes of material deterioration including the formation of metal soap crusts and treatment approaches are introduced.

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Do We See What We Know or Do We Know What We See? Conservation of Oil Paintings in the Stedelijk Muion to the works of Karel Appel and Asger Jorn. These studies have led to the characterisation of novel degradation phenomena and technical evidence has helped to predict water sensitivity and inform more specific cleaning methods. Despite these advances not every work of art can been treated and sometimes we have to except that ‘.’.

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, by Georges Mathieu, 1957. Study and Restoration: Consolidation Through Cohesive Regeneration Usinoration is ongoing. A method was developed using little or no adhesive with the possibility of reversibility for future interventions. Pure ethanol was used to reactivate the cohesion and the adhesion of the cracked impastos.

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tion managers as well as paint manufacturers.With contributi.This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions