Titlebook: Islam, Security and Television News; Christopher Flood,Stephen Hutchings,Henri C. Nicke Book 2012 Palgrave Macmillan, a division of Macmil

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The Political Context: International and Domestic Security Concernsquired a resolute response. It conjured up a binary world of friends and enemies. Who, except the practitioners or sponsors of terror(ism), could eschew the challenge to destroy the sources of this evil? In the real sphere of international politics the concept of a Global War on Terror was as dising

机警

irreparable

公猪

: Compliance and Complicity of distinctive differences. Like the British and French broadcasters, Channel 1 had the duty of representing the nation to itself in terms of values, institutions and practices. However, those values, institutions and practices did not always coincide with the types common to West European democrac

Lipoprotein(A)

‘Islamic Extremism’ and the Brokering of Consensuspost-9/11 news broadcasts on Islam represent, discuss, and participate in changing societal consensuses on inter-ethnic/intercultural cohesion, and to what such changes tell us about shifting power configurations in Europe. In each case, (re)definitions of extremism as a marker of what lies beyond t

synovial-joint

Television Genre and Islamist Terrorion of meanings which they negotiate in developing that approach. We begin by reprising the theme of the ideological tension broadcasters encounter in covering the ‘menace’ of fundamentalism within a framework of multiculturalism. We extend that framework to the principle of European tolerance more

CAPE

The War on Terror as Intercultural Flowting that threat’s purportedly universal reach by locating it in the particular contexts in which the various channels operate. We identified for each channel a distinct set of difficulties encountered in the articulation of the particular/universal relationship. They centred primarily on the need t

GUILE

Commemorating 9/11: The Struggle for the Universal 9/11 commemoration report. FollowingChapter 6 , it focuses on the role of genre in reconciling the generality of the campaign against the terrorist threat with the specificity of its manifestation in particular national contexts. And like Chapter 6it refers to the poles of narrative in its approach

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