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Titlebook: Irish Writing; Exile and Subversion Paul Hyland (Head of History),Neil Sammells (Senio Book 1991 Palgrave Macmillan, a division of Macmilla

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,‘They sate in counterview’: Anglo-Irish Verse in the Eighteenth Century,ish onlooker to be deeply embedded in Irish history, reaching past the Williamite wars to the Cromwellian period, and passing beyond living memory to the reign of Elizabeth I. Pervading the consciousness of the English, the tradition of rebellion in Ireland stretched beyond the pattern of these even
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Making History: John Mitchel and the Great Famine,an, the journalist-historian John Mitchel (1815–75).. As editor of the ., Mitchel made his own passionate contribution to the nationalist politics of the period, as a result of which he was tried, convicted of treason, and transported to Australia in 1848. Having spent five years in British prisons,
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Oscar Wilde: Quite Another Thing,enier regards the charge of effeminacy — whether personal or artistic — as a serious one; he dismisses . by saying that it merely ‘gives one the sense of ease one experiences in the presence of a beautiful and empty-headed woman with whom one is not forced to live’. However, his insistence on Wilde’
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Yeats, Childhood and Exile,lence and civil war. In their autobiographies, childhood is depicted as a kind of privileged zone, peopled by engaging eccentric uncles, doting grannies and natural landscapes. What they were all describing, of course, was childhood in a British colony, and there can be few experiences as intense as
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,Joyce’s ‘Chinese alphabet’: , and the Proletarians, innovation. In 1906, Joyce had complained that the conventional realism of George Gissing’s socialist novel . was melodramatic and ‘terribly boring’,. but by the 1930s Joyce’s work was itself the focus of debate about modernism and political realism, because of polarised theories about language and
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