Titlebook: Irish Theatre in Transition; From the Late Ninete Donald E. Morse Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited

Brain-Waves

讽刺滑稽戏剧

灿烂

Then Like Gigli, Now Like Bette: The Grotesque and the Sublime in Mark O’Rowe’s ,ars, depicts Dublin as a pulsating metropolis; the city is characterized largely by its underbelly on the one hand, and by the self-destructive excesses of the spiritually numbed middle class on the other. Consisting of three monologues, two by women and one by a man, which gradually reveal their in

Veneer

Snapshots: A Year in the Life of a Theatre Judgeo of the Irish Literary Theatre. His essay called in question any simple identification of the 1990s Abbey with the starting-out National Theatre Society, highlighting elements of continuity but also of marked difference. Any attempt to spot ‘trends’ at a given moment in theatrical history must nece

Catheter

填满

雄辩

公社

is has been reflected by an explosive growth of the literature (for reviews see Dordick, 1989; Klibanov, 1989; Blinkovsky et al., 1992; Russell et al., 1992; Halling, 1994). It is generally accepted that when enzymes are placed in organic media, they exhibit altered properties such as enhanced therm

诽谤

Donald E. Morseal of living matter, exemplified by the first examples of organic chemistry through the synthesis of urea from inorganic substances by Liebig, was accepted as the birth of organic chemistry, and thus also of organic synthesis. Although the early developments in organic synthesis closely followed the

冥界三河