Titlebook: Irish Stereotypes in Vaudeville, 1865-1905; Jennifer Mooney Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Vaudeville.vari

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书目名称Irish Stereotypes in Vaudeville, 1865-1905影响因子(影响力)




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书目名称Irish Stereotypes in Vaudeville, 1865-1905被引频次




书目名称Irish Stereotypes in Vaudeville, 1865-1905被引频次学科排名




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书目名称Irish Stereotypes in Vaudeville, 1865-1905读者反馈学科排名

特别容易碎

The Editor(s) (if applicable) and The Author(s) 2015

IRK

Sedative

宿醉

Book 2015Vaudeville is often viewed as the source of some of the crude stereotypes that positioned the Irish immigrant in America as the antithesis of native-born American citizens. Using primary archival material, Mooney argues that the vaudeville stage was an important venue in which an Irish-American identity was constructed, negotiated, and refined.

漫不经心

LUMEN

滔滔不绝地讲

有恶意

,Performing Irishness at Tony Pastor’s Opera House, 1865–1874,owery, Tony Pastor’s Opera House was located in what from the 1840s was a predominantly poor, working-class area largely populated by African Americans and German and Irish immigrants. By the time of the Civil War, the Bowery was “a mecca for saloons, gambling parlors, opium dens, flophouses, brothe

Arthritis

Representations of Irish Masculinity in Vaudeville,nation and national identity on the other. Not only is the nation state a largely masculine and patriarchal entity, with men at the heart of government and the military, but as Nagel argues, nationalist culture “resonate with masculine cultural themes.” Central to ideas of national identity are t