Titlebook: Irish Gothics; Genres, Forms, Modes Christina Morin,Niall Gillespie Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limite

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书目名称Irish Gothics影响因子(影响力)




书目名称Irish Gothics影响因子(影响力)学科排名




书目名称Irish Gothics网络公开度




书目名称Irish Gothics网络公开度学科排名




书目名称Irish Gothics被引频次




书目名称Irish Gothics被引频次学科排名




书目名称Irish Gothics年度引用




书目名称Irish Gothics年度引用学科排名




书目名称Irish Gothics读者反馈




书目名称Irish Gothics读者反馈学科排名

联想记忆

,‘Whom We Name Not’: , and its Annotation,trate. That is to say, . . incorporates a species — even a style — of annotation, cryptic perhaps, yet communicative with the reader. Indeed, its procedures may amount to a kind of self-interpretation, employing an intermittent but distinctively ‘intransitive’ grammar. Thus, the task of comprehensive annotation could become thematic.

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The Irish Protestant Imaginary: the Cultural Contexts for the Gothic Chapbooks Published by Bennett May the supplica- tions of mankind be ever and only addressed to that Being who is placed far above all principality and power, — and might, - dominion — and every name that is named, not only in this world, but that which is to come.

客观

J. S. Le Fanu, Gothic, and the Irish Periodical,has been noted elsewhere, was not particularly strong.. To find Le Fanu’s voice and to understand the journal’s response to popular literature, it is nec- essary to examine the periodicity of the magazine: to read, as its first audience did, laterally.

减弱不好

ce sampling’ by electrofishing. Correspondence analysis of the samples-by-species data and Jacob’s electivity index (calculated from the availability and exploitation of eight environmental variables) revealed three groups of species: (1) . and ., which used relatively similar microhabitat during bo

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