Titlebook: Irish Drama, Modernity and the Passion Play; Alexandra Poulain Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Irish theatr

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卵石

Paleontology

Torture and Passion: Opened Bodies in Samuel Beckett’s ,, , and ,ntal ambiguity of radio plays, which both gesture towards bodies and signal their absence, invites us to take an ethical stance as listeners, and to take seriously the interpellation of bodies in pain.

Tinea-Capitis

Creatinine-Test

“Unseen Forms of Violence”: J. M. Synge and the Playboy of the Modern Worldt is exposed . in the culminating scene of Christy’s Passion, when he is tortured and nearly hanged by an angry mob acting as the long arm of the law, is the normally invisible violence of the institutions of the modern state.

惰性女人

examination of the Passion play as a distinct genre.AnalysesThis book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. 

omnibus

Introduction,e structure, tropes and dramaturgy of the Passion narrative in different, secular contexts, and I offer an overall theory of the Passion play as a means of making invisible violence visible. I trace a proto-history of the Irish Passion play, showing that the genre is grounded in nineteenth-century m

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手榴弹

平淡而无味

Framing the Rising: W. B. Yeats’s , and Lady Gregory’s ,orm of the Passion play. Yeats’s . and Gregory’s . were written in the aftermath of the Easter Rising, in the midst of the historical upheavals that led to the creation of the Free State. Focusing on the plays’ dramaturgical handling of the martyred body of Christ, I show that they strive to contain