Titlebook: Ireland and Cinema; Culture and Contexts Barry Monahan Book 2015 The Editor(s) 2015 Ireland.Irishness.Film.Culture.Theory.Aesthetics.Gender

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Fergal Lenehanstic supply is not sufficient to meet the demand, and Japan is a typical example. In other words, we have a situation where the final demand such as consumption and investment in Japan triggers a series of interindustry transactions within the economy, which then turns to foreign suppliers for raw m

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Gangland Geometries: Space, Mobility and Transgression in the Veronica Guerin Filmstion as a ‘gangland’. Of these, fewer than five productions, all released in the period between 1998 and 2003, were based upon or alternatively contain as a supporting character, the notorious underworld figure of Martin Cahill. . (Boorman, 1998), the BBC’s . (Blair, 1999) and . (O’Sullivan, 2000) e

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Beyond Horror: Surviving Sexual Abuse in Carmel Winters’ h the victimization of children carries over into horror literature and films, in which children are abusers, as well as abused haunters, as well as haunted.. The genre has a history of unsettling the notion of childhood innocence through the trope of the ‘evil child’, whose malevolence may be inher

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Black and White and Green All Over? Emergent Irish Female Stardom in Contemporary Popular Cinemaswho self-identify as ‘Irish’; Saoirse Ronan and Ruth Negga, who appear to be challenging established gendered paradigms of Irish representation in popular anglophone cinema and surrounding discourse. I posit that the history of Irish female stardom may be characterized as a history of absence, again

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Transcending Parochial Borders? Jonathan Rhys Meyers , Henry VIIIle severing all religious ties between England and Papal Rome. On being approached by the popular US Network . to create a period soap opera based on the Tudor dynasty, writer Michael Hirst agreed, on condition that he could rewrite Henry VIII, not so much by altering the tyrant’s character, but by

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