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Titlebook: Inventing the Gothic Corpse; The Thrill of Human Yael Shapira Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Death.Anne Ra

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发表于 2025-3-21 16:33:54 | 显示全部楼层 |阅读模式
书目名称Inventing the Gothic Corpse
副标题The Thrill of Human
编辑Yael Shapira
视频video
概述Argues that before there was Gothic fiction there was ‘the Gothic corpse’.Uses the representation of the dead body as a lens on roads taken and not taken by the eighteenth-century novel.Examines work
图书封面Titlebook: Inventing the Gothic Corpse; The Thrill of Human  Yael Shapira Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Death.Anne Ra
描述.Inventing the Gothic Corpse. shows how a series of bold experiments in eighteenth-century British realist and Gothic fiction transform the dead body from an instructive icon into a thrill device. For centuries, vivid images of the corpse were used to deliver a spiritual or political message; today they appear regularly in Gothic and horror stories as a source of macabre pleasure. Yael Shapira’s book tracks this change at it unfolds in eighteenth-century fiction, from the early novels of Aphra Behn and Daniel Defoe, through the groundbreaking mid-century works of Samuel Richardson, Henry Fielding and Horace Walpole, to the Gothic fictions of Ann Radcliffe, Matthew Lewis, Charlotte Dacre and Minerva Press authors Isabella Kelly and Mrs. Carver...In tracing this long historical arc, Shapira illuminates a hidden side of the history of the novel: the dead body, she shows, helps the fledgling literary form confront its own controversial ability to entertain. Her close scrutiny of fictional corpses across the long eighteenth century reveals how the dead body functions as a test of the novel’s intentions, a chance for novelists to declare their allegiances in the battle between the didact
出版日期Book 2018
关键词Death; Anne Radcliffe; Samuel Richardson; Henry Fielding; Realism; Sensation; Clarissa; British and Irish L
版次1
doihttps://doi.org/10.1007/978-3-319-76484-9
isbn_softcover978-3-030-09499-7
isbn_ebook978-3-319-76484-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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发表于 2025-3-21 22:16:33 | 显示全部楼层
Book 2018from an instructive icon into a thrill device. For centuries, vivid images of the corpse were used to deliver a spiritual or political message; today they appear regularly in Gothic and horror stories as a source of macabre pleasure. Yael Shapira’s book tracks this change at it unfolds in eighteenth
发表于 2025-3-22 01:25:41 | 显示全部楼层
Conclusion: Remains to Be Seen,ment, Shapira turns to one of the Gothic corpse’s iconic late twentieth-century incarnations in Stephen King’s . (1977), where the portrayal of human remains no longer offers even the pretense of a purpose beyond the excitement of the reader and appears, moreover, in what has by now become a self-evident form of entertainment.
发表于 2025-3-22 07:29:53 | 显示全部楼层
Spectacles for Sale: Reframing the Didactic Corpse in Behn and Defoehese didactic precursors, Defoe and Behn also acknowledge that vivid descriptions of the corpse are a source of authorial profit and readerly pleasure. Long before Gothic and horror literature, these early novelists begin to transform the dead body from a vehicle of instruction into a form of fictional entertainment.
发表于 2025-3-22 09:49:27 | 显示全部楼层
Shamelessly Gothic: Enjoying the Corpse in , and ,g accused and redefines the corpse as a source of pornographic gratification. Revising not only Lewis but Richardson, Dacre strengthens the dead body’s link to the pursuit of desire and power and even hints at the radical possibility of a distinctive female pleasure in particular kinds of corpses.
发表于 2025-3-22 12:59:33 | 显示全部楼层
Introduction: The Novel, the Corpse and the Eighteenth-Century Marketplace,ly as commercial entertainment, and like other entrepreneurs, novelists hesitated between economic opportunity and the stigma of unprincipled pandering. Finally, Shapira turns to the audience, claiming that novelists chose whether to accommodate or to discipline a love of gory spectacle seen as a distinctive British trait.
发表于 2025-3-22 18:07:11 | 显示全部楼层
发表于 2025-3-22 23:36:11 | 显示全部楼层
Death, Delicacy and the Novel: The Corpse in Women’s Gothic Fictione “indelicacy.” Complicating existing accounts of the Female Gothic, the chapter further uses Minerva Press authors Isabella Kelly and Mrs. Carver to show that Radcliffe’s strategy, not innately or universally “female,” is a product of her particular aspirations.
发表于 2025-3-23 01:31:43 | 显示全部楼层
发表于 2025-3-23 09:27:39 | 显示全部楼层
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