Titlebook: Intimate Violence and Victorian Print Culture; Representational Ten Suzanne Rintoul Book 2015 Palgrave Macmillan, a division of Nature Amer

高调

Sensational Crime Street Literature, 1817–1880at indicated a growing interest in intimate violence against women, especially among the poor.. Intense emotional responses to the case meant financial success for many broadside publishers; higher prices were justified as a means of financing a retrial when Ashford’s alleged murderer was acquitted

Inordinate

Journalistic Discourse, and the Working-Class Bodyment of the newspaper meant that nineteenth-century novels “drew on news as a rival practice of realistic representation and as an authoritative form of public knowledge” (4). The work of Charles Dickens provides one of the most thoroughly-studied examples of the mutual influence between these two m

亲属

Unfixing Identity and Resisting Violence in Caroline Norton’s Pamphlets and Fiction in what was often understood to be a uniquely working-class form of brutality. The image of the battered woman thus became an avenue for renegotiating social and moral hierarchies. Since, however, as Nancy Armstrong points out, the eighteenth- and nineteenth-century novel was a major vehicle for co

不怕任性

Thyroid-Gland

地名表

Marital Cruelty in sold alongside political pamphlets by booksellers—transcribed, edited, and circulated among middle-class readers, including a large number of women abolitionists. As such, many possess a kind of physically charged resonance with sentimental fiction. Like much middle-class women’s reading material,

裤子

Conclusion: The Limits of Oppositionality through Victorian Representations of Intimate Violencetly contradictory in nature; there is a discernible tension between exposure and concealment when it comes to depictions of brutality in intimate relationships. Second, this tension at times facilitates a level of subversion inasmuch as it calls attention to the culturally unspeakable aspects of int

要塞

Sensational Crime Street Literature, 1817–1880ighly graphic crimes against women was an economic move—an effort to produce the most shocking narratives possible and commodify the battered woman’s experience in a manner that drew attention away from political responsibilities regarding intimate violence in favor of the excitement and catharsis o

saphenous-vein

myriad