Titlebook: Interactional Approach to Cinematic Discourse; How Do Woody Allen’s Neda Chepinchikj Book 2022 The Editor(s) (if applicable) and The Author

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Book 2022ween actors in various roles in some of his films. It is a case study of Woody Allen‘s cinematic discourse, encompassing the on-screen, performed interaction in the films at the level of the story-world. The analysis focuses on speech (film dialogues), in both its verbal and prosodic forms, as well

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Organisation of Interaction,rs, as the basic structure of sequences of interaction, and their extensions in the film dialogues. It also details any irregularities to the sequence structure, which indicate interactional problems.

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Social Actions and Gender Considerations,d motivation behind their interactions. Finally, some gender considerations are also discussed and these relate to the interactional behaviours of the male and the female participants in these scenes.

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Analytical Approach, film scenes were transcribed using CA transcription conventions and analysed using the ELAN software, for the non-verbal resources. All the transcription was done by the author and no scripts were used or consulted. It is the actual film scenes that constitute the data, which consist of five film scenes from five different films.

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Verbal Features of Interaction, participants’ turns and the flow of the interaction as a whole. These are found to be related to the social actions performed by the interlocutors. Lastly, the gaps are discussed with respect to their interactional functions. They appears both as intra-turn (within the same turn) and as inter-turn (between different turns).

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Embodied Features of Interaction: Gaze,locutors. Despite the multitude of functions and roles of gaze in interaction, this chapter only focuses on three: its relationship with the participant roles of speaker and recipient, its role in the participation framework of engagement and/or disengagement and its function in action formation.

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