Titlebook: Information Technologies for Performing Arts, Media Access, and Entertainment; Second International Paolo Nesi,Raffaella Santucci Conferenc

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A Workflow Model and Architecture for Content and Metadata Management Based on Grid Computingith several hundreds of descriptors fields associated with and file versions, thus really complex content management systems. They have a great need of and orchestrated workflow system and automated process management system that allow managing content and metadata, in order to automate as much as p

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How Are On-Line Digital Libraries Changing Theatre Studies and Memories?reator as a complete work in itself now has to be flexible and open to suit the needs of its on-line users..Information Retrieval’s activities for Performing Arts have to be improved by finding new tools and by developing a specific P. A. semantic..We have to be aware that the abundance of available

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Multimedia Performance Reconstruction as a Challenge to Theatre History Writingg e-learning content for performing arts students, both for course room and self-study use. The reconstructions use rich audio-visual resources, arranged along a multi-dimensional mind-map, to facilitate understanding and to support further analysis. By presenting some earlier and contemporary attem

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Education-Performing Arts-Information Technology: An Impossible Triangle?ell be somewhat of an exaggeration: as Koehler and Mishra (2008) point out the problem of integrating IT in educational settings is ubiquitous. The question this contribution tries to answer is whether on top of these general problems there are specific ones for IT within performing arts curricula t

Concrete

Dance in the World of Data and Objects develop a Dance Information System for archiving traditional dance, one of the most significant realms of intangible cultural heritage. Our approach is based on Description Logics and aims at representing dance moves in a way that is both machine readable and human understandable to support semanti

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The TKB Project: Creative Technologies for Performance Composition, Analysis and Documentatione 2009 at the New University of Lisbon. While focusing on the development of a digital note-book for video annotation in real-time, designated as Creation-Tool we will describe two original software applications developed in the framework of this project: a video annotator designed as a digital note

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The Challenge of the , in the Preservation of Cultural Heritage; The Intangibility of the Material a/user/audience interaction, resisting documenting and preserving in conventional ways, so are largely absent from our cultural heritage. As interlocutor, the artist is forever vital in the work existing and communicating, yet removed and absent in what remains; the living artist disappears into ‘dat

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