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Titlebook: Information Security Applications; 12th International W Souhwan Jung,Moti Yung Conference proceedings 2012 Springer-Verlag GmbH Berlin Heid

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Dae Hyun Yum,Duk Soo Kim,Jin Seok Kim,Pil Joong Lee,Sung Je Hongrforming musicians and artists working within the context of commercial record production have had a mixed, and often fractious, relationship with the recording studio placing: ‘musicians and musical practice in a new relationship with consumer practices and with consumer society as a whole’ (Théber
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Yanbin Pan,Yingpu Dengrforming musicians and artists working within the context of commercial record production have had a mixed, and often fractious, relationship with the recording studio placing: ‘musicians and musical practice in a new relationship with consumer practices and with consumer society as a whole’ (Théber
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Tatsuyuki Matsushita,Shinji Yamanaka,Fangming Zhaorforming musicians and artists working within the context of commercial record production have had a mixed, and often fractious, relationship with the recording studio placing: ‘musicians and musical practice in a new relationship with consumer practices and with consumer society as a whole’ (Théber
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Chung-Hyo Kim,Moon-Seok Choi,Seong-Ho Ju,Yong-Hun Lim,Jong-Mock Baekmeone who stands out from the crowd. What tend to be overlooked are acts of mirroring as a crucial element of the creative process. The human ability to empathise and socialise is partly due to another, more fundamental ability to duplicate the stance of the other (see also Chapter 13). Through mirr
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Go Ohtake,Kazuto Ogawaoriginality contribute to the construction of value in musical performance, and that creativity in musical performance should possess a good balance of these two components. Six musicians who specialized in Indian classical, Japanese traditional, Western classical, and jazz music were interviewed; i
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