Titlebook: Infectious Diseases and Arthropods; Jerome Goddard Book 2018Latest edition Springer International Publishing AG, part of Springer Nature 2

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d in Chapter 5 it was noted that, although unknown to the British Constitution, these voluntary organisations were in fact essential to its working. In Chapter 6, we examined the role of party in government and, in Chapter 10, the functions and organisation of the parties in parliament, with special

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Jerome Goddardy-inflected critiques of identity, visibility and representation within the relatively short history of a self-identifying British gay theatrical practice. More specifically, this chapter’s focus on Gay Sweatshop Theatre Company — the UK’s first gay theatre company — seeks to consider how the concer

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Jerome Goddardjects and experience is remarkable because of the absence of representation which precedes it. The political and cultural value of that work has also emerged from its often explicit intentionality — as, for example, in Gay Sweatshop’s founding desire to challenge limited representations of homosexua

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jects and experience is remarkable because of the absence of representation which precedes it. The political and cultural value of that work has also emerged from its often explicit intentionality — as, for example, in Gay Sweatshop’s founding desire to challenge limited representations of homosexua

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Jerome Goddardserved: ‘[t]hese are challenging times. Now more than ever we need places where reflection, question and visceral experience can elevate the daily and the private and remind us of our humanity and universality’.. She added: ‘[t]he fearlessness and skill of our playwrights, [… along] with our complex

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Jerome Goddardand Anglo-Catholic in religion’ (my emphasis). But British playwrights who abhor Eliot’s attitude have also turned to ancient Greece. Perhaps these playwrights were inspired by the forays of two renowned English directors — John Barton’s ten-play . in 1980 and Peter Hall’s . in 1981 (in a version by

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