Titlebook: Indigenous Creatures, Native Knowledges, and the Arts; Animal Studies in Mo Wendy Woodward,Susan McHugh Book 2017 The Editor(s) (if applica

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Spirit Guards: A Squad of Ceramic Dogs in South Africac Republic of Congo, an artefact designed by a traditional spiritual advisor and made by a crafter for the protection of its bearer. Rather than commemorating dogs as protectors of worldly possessions, her figures invoke indigenous spiritual practices to celebrate them as guardians of our souls.

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I’m Mad You’re Mad We Are All Mad,e metaphor of ‘madness’ as Lewis Carroll articulated in Alice’s conversation with the Cheshire Cat. In this context I investigate the work of South African artists, Elizabeth Gunter and Nicolene Swanepoel, as well as my own works from ..

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‘The Only Facts are Supernatural Ones’: Dreaming Animals and Trauma in Some Contemporary Southern Af] the traumatised person from other human beings’ (2007, p. 14) but that the traumatised person ‘long for twinship or emotional kinship.’ This longing may be suggested via the embedding of the nonhuman within what Harry Garuba calls an ‘animist unconscious’ evident in dreams and the liminal.

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Cross-Pollinating: Indigenous Knowledges of Extinction and Genocide in Honeybee Fictionsdd, Louise Erdrich, Douglas Coupland, Lindsay Eagar, and others, this essay outlines a pattern in which the convergence of native knowledges and histories of mass killings spurs productive interventions in contemporary honeybee fictions.

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Kabbo Sings the Animalsvalorise such poetic versions of human-animal relations, both as a way of transcending binarist archaisms still somewhat embedded in anthropology and literary studies, and of rethinking the human/animal divide.

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Book 2017outhern Africa and North America – historical loci of the greatest ranges of species and linguistic diversity – help to situate how indigenous knowledges of human-animal relations are being adapted to modern conditions of life shared across species lines..