Titlebook: Incognito Social Investigation in British Literature; Certainties in Degra Luke Seaber Book 2017 The Editor(s) (if applicable) and The Auth

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impaction

Down and Out: George Orwell and the Death of a Genre,ion text, Orwell’s .. This chapter offers a close reading of the strategies used by the London sections of this text to convince the reader of its authority, and argues that it contributed to the decline of the Greenwoodian tradition that it partially exemplifies. Two late Greenwoodian texts, Jeremy

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Tramping Ambiguities: On the Road with Harry A. Franck, Hilaire Belloc and James Greenwood,e American travel writer Harry A. Franck, and how incognito social investigation can be intertwined with walking and tourism, using the theories of Ian Hacking about cultural polarity. We also look at Hilaire Belloc’s . (1902), and the ambiguities over social status inherent in walking in the early

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Endoscope

,If Men Do These Kind of Journalistic Feats…: Elizabeth L. Banks and Woman’s Work,vestigation, one focusing on domestic service and ‘woman’s work’. It is shown how Banks makes herself the subject of her writing, and how the purpose of her texts, nominally instruction, is in fact entertainment. We also see how ‘the poor’ are a social and cultural category rather than an economic o

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Book 2017st pretending to be poor.  The most famous example is .Down and Out in Paris and London., but there has been a vast array of other works in the genre since it was created in 1866 by James Greenwood’s ‘A Night in a Workhouse’..It draws up a classification of incognito social investigation texts, divi

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Learning by Actual Experience: James Greenwood and the Birth of a Genre,ant), as well as F.G. Wallace-Goodbody’s ‘The Tramp’s Haven’ (1883) and C.W Craven’s ‘A Night in the Workhouse’ (1887). Finally, we explore the epistemological problems raised by these texts: how do we reconcile our personal experiences with an author’s ‘authority’?

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