Titlebook: Inclusive Young Adult Fiction; Authors of Colour in Melanie Ramdarshan Bold Book 2019 The Editor(s) (if applicable) and The Author(s), unde

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Melanie Ramdarshan Bold backhand, as well as provide methods for developing superior tennis weapons,a lightning–fast game,and unrivaled mental speed and strength – essential qualities of a future tennis champion.978-3-642-10069-7978-3-540-89971-6Series ISSN 1867-4925 Series E-ISSN 1867-4933

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iences of British young adult fiction authors of colour (BAME authors) published in the UK during the period 2006-2016, drawing upon semi-structured interviewswith a sample of authors.978-3-030-10522-8

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ined by M. Matsumoto (coUected later, in 1986, in a monograph, [Ma3]) aroused interest not only in Japan, but also in other countries such as Romania, Hungary, Canada and the USA, where schools of Finsler geometry are founded and are presently widely recognized.

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Melanie Ramdarshan Boldt attention, measured as the fraction of interactions devoted to a particular social connection, is high on weak ties—possibly reflecting the postulated informational purposes of such ties—but also on very strong ties. Data from online social media and mobile communication reveal network-dependent m

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dy of how the structure of thresholds and their behavioral consequences can vary by individual and social context. The third area concerns the roles of diversity and homophily in the dynamics of complex contagion, including both diversity of demographic profiles among local peers and the broader not

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,Introduction: ‘In an Era of Fear and Division, Fiction Plays a Vital Role in Dramatising Difference publishing, and authors. The introduction outlines the rationale and justification for this book and situates this study in relation to other critical and academic examinations of ‘race’ and racism in the media. Focusing on the backlash against multiculturalism, and the anti-immigrant sentiment tha

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A [Brief] History of Young Adult Fiction (YA),g Adult Literature, Scarecrow Press, Lanham, 2010) writes, ‘the central theme of most YA fiction is becoming an adult, finding the answer to the internal and external question, “Who am I and what am I going to do about it?”’ (p. 70). Trites (Disturbing the Universe: Power and Repression in Adolescen

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