Titlebook: Imagining Human Rights in Twenty-First Century Theater; Global Perspectives Florian N. Becker,Paola S. Hernández,Brenda Werth Book 2013 Pal

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978-1-349-43950-8Palgrave Macmillan, a division of Nature America Inc. 2013

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ion of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors open the way toward understanding the character and significance of this encounter.978-1-349-43950-8978-1-137-02710-8

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Introductionand human rights over the past two decades. The other aim is to open the way toward understanding the character and significance of this encounter: What have artists, audiences, and readers expected or desired from it? What should we—and what should we not—expect from it? What are the aesthetics, ethics, and effects of this encounter?

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Challenging the “Fetish of the Verbatim”: New Aesthetics and Familiar Abuses in Christine Evans’s ,tralian and victim of earlier crimes against the Stolen Generations. Evoking narrative conventions from Stolen Generations’ texts, Evans connects Australia’s treatment of refugees to earlier ideologies of discrimination. Thus, while the plights of undocumented asylum seekers remain her focus, Evans maps these violations onto a trajectory of abuse.

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Theaters of Vigil and Vigilance: A Playwright’s Notes on Theater and Human Rights in the Philippineser 21, 1972; he “officially”. lifted it in 1981, but remained in power until his ouster in 1986 through what is now known as the “EDSA4 people power revolt.” My experience in this play, along with the other theater productions I performed in from 1979 to 1986, would later inform my work as a playwright.