Titlebook: Imagining Gender in Biographical Fiction; Julia Novak,Caitríona Ní Dhúill Book 2022 The Editor(s) (if applicable) and The Author(s), under

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Imagining Gender in Biographical Fiction: Introduction,l fiction, and establishes a dialogue between biofiction studies and gender-sensitive approaches to both life writing and historical fiction. Clarifying the often complex and contradictory understandings of key terms that have emerged in recent scholarship on biofiction, historical fiction, life wri

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Imagining Jiang Qing: The Biographer’s Truth in Anchee Min’s the fourth wife of Mao Zedong and the top leader of the Chinese Communist Party starting from the late 1960s. In official historiography, she has served the function of archetypal villain and scapegoat for the Cultural Revolution, and her image is associated with that of the White-Boned Demon, a (g

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Australian Women Writing Tudor Livesapter examines four novels from the past decade by Australian authors that re-imagine historical women from the Tudor period. The figures represented are both notable and lesser known, including Kate Carey, Anne Boleyn, Elizabeth I, Mary Queen of Scots, and the Flemish artist Susanna Horenbout. Thes

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Biofiction, Compulsory Sexuality, and Celibate Modernism in Colm Tóibín’s , and David Lodge’s It is argued that each novel neglects to historicise adequately the function of celibacy in the early modernist period, a time of radically shifting gender codes in which the modern meanings of male homosexuality were still being formed. Consequently, Tóibín’s and Lodge’s depictions of James’s life

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In Poe’s Shadow: Frances Sargent Osgoodse men and into their own biofiction. But, as Stephanie Bird already pointed out in . (1998), often it is still “the relation of the woman to the male subject” that is “of central concern” (5). This chapter explores herstorical biofiction with reference to Frances Sargent Osgood, an acclaimed ninete